5 Disturbing Music Videos

It’s true what they say: Life’s no fun without a good scare. It’s easy to get complacent in life, sitting in front of the computer screen, binge-watching your favorite series for the umpteenth time, idly swiping your thumb across a mobile game, or, heaven forbid, sinking into the squalid depths of reality TV. Every now and then, we need media to make us feel a little unsettled. So here are 5 disturbing music videos to give you nightmares.

“The process of delving into the black abyss is to me the keenest form of fascination.”
-H. P. Lovecraft

5. “Give Me an Answer” by Low Roar

With this video being inspired by Death Stranding, the upcoming game from avant garde game designer Hideo Kojima, you know you’re in for some weird shit. The scene plays out like a short horror film, presenting our protagonists in an eerie situation that immediately starts us wondering which, if any, will survive the strange ordeal to come. With impenetrable symbolism and an uneasy atmosphere, this video leaves us begging for answers that never come.

4. “Push It” by Garbage

The 90’s were a great decade for surreal music videos, and Garbage have always proudly flaunted their otherness. “Push It” features characters disturbing enough to rival any shock rocker’s video, kinky sexiness, appropriate references to the works of Rene Magritte and Stephen King, and a healthy dose of the occult. This cements Shirley Manson’s place as music’s Queen of Weirdos.

3. “Seraphim” by Mishkin Fitzgerald

This beautiful, heartfelt ballad by Birdeatsbaby frontwoman Mishkin Fitzgerald is accompanied by jarringly strange imagery. Figures in hoods, suffocating men, people in bondage or covered in ash, and other characters sit around an angelic Fitzgerald in what looks like a twisted rendition of Da Vinci’s The Last Supper. The ceiling is hung with nooses, suggesting a dreadful inspiration for this song. It’s frightening, it’s tragic, and it’s stunning.

2. “Feral Love” by Chelsea Wolfe

Straightaway, this video bombards you with uncanny imagery. Wow, Chelsea Wolfe is beautiful, but also I am afraid she’ll wear my skin. These family home videos seem really out of place here. Oh shit, that’s a lot of blood. Wait, were those the twins from The Shining? And what are they going to do to that naked lady? OH GOD, NOT A BUNNY MASK. BIOSHOCK FLASHBACKS.

1. “Here Comes the Rain” by Foetus

One night, I was about to click off of YouTube and go to sleep when I saw this video pop up on my “Recommended” list. Oh sure, I have time to check out one last video before bed. What’s the harm?

I deeply regretted it.

This video steadily takes you further and further into a place you don’t want to go. Watching it feels like watching found footage of a serial killer’s day-to-day life. The drumbeats sound like the kind you’d hear on your way to be sacrificed to some ancient deity. And if you have a dental phobia, you should turn back now. I don’t know what J. G. Thirlwell is up to here, but it’s messed up and I want no part of it.

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Can You “Win” Black Mirror: Bandersnatch?

 

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Disclaimer: Contains spoilers for Black Mirror: Bandersnatch.

Author’s note: I’m going to be referring to Bandersnatch as a game in this article, because it makes more sense to use this word within this context.

Since its release, Black Mirror‘s interactive nightmare Bandersnatch has drawn people into its labyrinth in search of secrets. While it seems that all possible endings have, at this point, been discovered, it is still up for debate which ending is the “true” ending. While, cinematically, the “5-Star” ending might seem the most in-keeping with Black Mirror‘s usual vibe, there’s something about it that seems too obvious. It doesn’t subvert our expectations, it just plays into them. We expect Stefan to end up like Jerome F. Davies, descending into a rabbit hole of paranoia and violence. Nothing about this ending is surprising.

As a gamer, I went into Bandersnatch with the mindset that I needed to get the “true” ending, and I knew well that the “true” ending isn’t always the most obvious. Silent Hill 2 and Bloodborne are prime examples of the true endings being the more depressing and unsettling. In my mind, the true ending to this unconventional story wouldn’t be the easiest to get, it wouldn’t be found at the end of the most conspicuous path, and it wouldn’t be one of the copy-paste endings with a review at the end. Seeking the highest rating for Stefan’s game was only playing into expectations, and going for the easiest answers. Notice how the first REAL choice we are given in Bandersnatch is whether or not to work at Tuckersoft, and making the more obvious choice of accepting the offer leads us to an unsatisfying ending, for both Stefan and ourself, the player. It’s only when you make the risky choice that you can progress. This fact, to me, is very telling of what the true ending of Bandersnatch is meant to be.

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There are many ways to lose a game. There’s far fewer ways to win. You can finish the game, get a review, and be fooled into thinking that you’ve successfully gotten the high score, but you’ve only done what the game expected you to. Only what it wanted you to. You played into the programming, and were controlled just as much as Stefan was. Bandersnatch expects you to go mad, kill your father, and finish making the game. To really beat the game, you have to get Stefan away from the dark fate Bandersnatch has planned for him.

There is only one ending that has you diverge from the path of slavishly completing the game. Only one that fulfills the Stefan’s wants and needs, not those of the player. Only one that actually frees Stefan from the endlessly cycling maze.

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The “TOY” ending, where Stefan goes back in time, finds Rabbit, and embarks on the fateful train ride with his mother, resulting in his spontaneous death in the current time line.

Changing the events surrounding his mother’s death is the only way to truly break Stefan out of the endless cycle of madness, murder, and imprisonment. While the result of changing history is bleak, it is the only ending that does not result in Stefan’s imprisonment, and is (arguably) more merciful. In his death, he is actually freed from the maze. It is the only way he can escape the confines of Program and Control.

Think about it: Throughout the course of Bandersnatch, we’re told over and over again that we need to break free. We’re challenged to escape the limitations of the programming, as impossible as that seemingly is. While we are still controlling Stefan no matter what path we go down, it is possible for us to choose a path for him that gives him closure, and allows him to rest in peace rather than driving him down a path that destroys him and everyone around him. No matter how you slice it, the “TOY” ending is the one that causes Stefan to suffer the least. It also allows him to confront his personal demons, rather than him being driven mad by them.

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We are constantly being told, don’t give in. Don’t make the easy choices. Don’t go for the obvious paths. In a sense, we are playing against the game Bandersnatch itself. The premise of the game tricks us, suggesting that the only goal we have is to complete Stefan’s video game. But doing that only causes him suffering, and surrenders to the trappings of obvious and easy answers. It’s easy to give in. It’s easy to let Stefan become single-minded and only care about the game, letting his own life fall to shambles as a result. What’s harder to do is to look for the deeper, more obscure path, and release our Pac-Man from his programming.

 

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5 Easter Eggs in ‘Chilling Adventures of Sabrina’

Warning: Contains spoilers for the first season of Chilling Adventures of Sabrina.

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Chilling Adventures of Sabrina is just what it claims to be. It’s a throwback to the supernatural television shows marketed to teens that were proliferate in the late 90’s/early 2000’s, like Buffy the Vampire Slayer and Charmed, which could revel in the kitschy and absurd, but also tackle dark subject matter and serious issues. It’s already stirred up controversy for multiple reasons, and not for the reasons you’d probably expect. However, those heavier themes are to be tackled here at a later time. For now, let’s set those topics aside, and get into the things every true nerd hungers for — EASTER EGGS!

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1- The Names

There are many names with significance in Sabrina. Besides more obvious ones like “Spellman” and “Salem,” here are some names with more remarkable meanings:

  • “Puttnam” and “Hawthorne” were the names of families involved in the Salem Witch Trials.
  • Ironically, the name “Wardwell” is probably a reference to warding spells, which are used to repel evil spirits.
  • “Faustus” is taken from the play Faust by Johann Wolfgang von Goethe, wherein the main character sells his soul to the Devil.
  • “Scratch,” as in “Old Scratch” or “Mr. Scratch,” is a nickname for the Devil.
  • The mentioned-but-never-seen “Doc Phibes” gets his name from the titular character of the 1971 horror flick The Abominable Dr. Phibes.

 

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2- “Criminal”

Of course you noticed the inclusion of Fiona Apple’s 90’s hit “Criminal” in Chapter 7: Feast of Feasts. However, if you’ve never seen the music video for the song, you might not get the connection. The video portrays the then-18-year-old Apple in her underwear, and lounging around with other teens on the floor, in what looks to be the aftermath of a party. The images are highly suggestive of some risque stuff going on, a lot like what’s taking place in Prudence’s room at the time.

 

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3- The Weird Sisters

The term “Weird Sisters” has its origins in the Norns of Norse mythology. They were three prophetic witches who were the daughters of a seer named “Wyrd.” The term was later anglicized to “Weird” and used in Shakespeare’s MacBeth. It just goes to show, trios have always been powerful in witchcraft. The number can represent past, present, and future; the maiden, the mother, and the crone; the Rule of 3; father, mother, and child; the Furies; the Fates; and too many other examples of the power of the number three to recite here.

 

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4- Other horror references

Besides names of characters, Sabrina contains some homages to the horror genre. Some include:

  • On a couple of occasions, characters refer to the blessings of Satan as “delicious.” This most likely is pulled from a famous line in the 2015 horror film The Witch, in which (SPOILERS – highlight to read) the Devil asks the protagonist, “Wouldst thou like to live deliciously?” The scene in Chapter 10 where the Devil coaxes Sabrina to sign the Book of the Beast, he whispers in a way reminiscent of the Devil in The Witch.
  • Chapter Five is titled “Dreams in a Witch House,” a slight variant on the title of the H. P. Lovecraft story Dreams in the Witch House.
  • Chapter Six shows Harvey wearing the same outfit as Johnny Depp’s character during his death scene in Nightmare on Elm Street.
  • The Spellman house has the same stained glass skylight as the ballet school in 1977’s witchsploitation film Suspiria.

 

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5- The exorcism

The incantation for the exorcism in Chapter Six contains references to many significant figures in Witch/Wiccan culture. Apart from the mythological characters, there are several historical figures, including:

  • Anne Boleyn, the wife of Henry VIII, who was accused of bewitching Henry to make him marry her. Her being a witch was also said to be the reason for her later miscarriage.
  • Hildegard of Bingen was a German Benedictine abbess, but became respected by modern Pagans as a healer and mystic.
  • Mary Bradbury and Tituba, both women who were accused during the Salem Witch Trials, but manage to avoid execution.
  • Moll Dyer, a witch said to have lived in Maryland in the 1600s. Her spirit is still said to haunt the area where she was killed.
  • Sybil Leek, one of the most prolific writers on the subject of modern Witchcraft.

 

That’s it for now, but I will certainly, in the future, dive deeper into the themes of Sabrina and possibly put a couple theories out there. So stay tuned!

 

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